Flash reading is now a practice. Previously, if it was said that a singer was reading fortune, he would be embarrassed himself and would be so upset by this incoherence and out of rhythm of his reading that he thought that no matter how hard he tries to read well from now on, finally, an unfortunate event has been recorded in his record. . Now reading fortune-telling is not as bad as it used to be. It is possible to go on stage, read fortunes, scream and clap and come back. No one listens to the voices of critics, no one tries to improve people’s understanding of music, and not even the content that the singer speaks is as important as it was in previous decades. The number of singers, the number of musics that are produced daily and many other things show that the more flashers and flashreaders increase, this happens closer to a normal thing and as if in the new generation of singers, flashreading is no longer a reprehensible phenomenon, the path It has traveled and gradually affected the taste and musical ear of the society.
What is Flash?
Now what is this fortune teller that they keep talking about? What happens when someone is called a fortune teller? The word flash has English roots. When the number of stabilized oscillations for each of the notes, which have their own standards, does not reach its limit or is greater than the singer’s will, it is said that the music has been performed in a flash way.
Today, however, experts and critics in the field of music not only read outside the notes, but also consider not playing the tone and words correctly as a sign of flash reading, and consider such a singer or musician to be a flash singer or a flash player. A singer or a musician who easily transforms the music, this art of music into a voice that is limping in one place.
Now that it’s about flash, let’s also say that the word joust is opposite to flash, and when the singer’s voice matches the desired frequency and the desired note, that person’s voice is called joust. Strong and trained ears will notice the quality and judiciousness of the sound. The same thing that we lack these days and our music works are getting weaker day by day; A strong and well-functioning ear to distinguish between jost and flash.
The trend of fortune telling in Iran
Now that we know what fortune-telling is, let’s go to the story of fortune-telling in Iran. No, first, let’s address this one more question that will probably come to you, and then let’s go to the national fortune-telling. You will surely ask yourself, does it happen in performances outside of Iran that someone reads fortunes? OK. It is natural that our answer to this question will be positive, all over the world there are singers with different levels of ability, some of them read fortunes and some of them just read. But as the critics say these days, the amount of these readings on the other side of the blue is really low. But in Iran it is not less, nothing… it is increasing day by day. If we want to look at Iranian singers who have had flash reading adventures and similar side effects in their works, we will face a relatively long list during the last one or two years. Hamid Hirad, Masoud Saberi, the same doctor who became a singer, Mehran Madiri and many other figures performed concerts full of fortune telling. There were even those who after reading fortune-telling went to play back to solve the problem, but of course it was not solved! Even two years ago, Sirvan Khosravi, who was considered a popular singer and was less involved in such matters, faced criticism for his fortune-telling. In short, many singers have faced this problem more or less, but as time passed, fortune-telling has become more normal and it seems that people who appear on stage as singers are not so worried about what will happen if they do fortune-telling. Because they know nothing will happen!
An office that only gives permission
The Ministry of Culture and Islamic Guidance has an office called the Music Office. A notebook that, of course, a few years ago, when the music situation was not so bad, Mohammadreza Darvishi, a music researcher, considered it a notebook! And he believed that this office is so weak and lifeless in relation to the things that shape musical flows that it cannot be an office.
Now, apart from these, the music office oversees all albums and concerts. Even the singles that are released are licensed from this office in terms of content. Music, songs, musicians and singers and summary of all factors. The fact that so-and-so has violated and is banned from activity is more related to this office than any other case in the work process of the singer, musician, etc. It has different councils and controls everything. Aside from the fact that some songs are so ridiculous that they’re licensed, we finally have an institution that reviews and licenses everything about music.
Among all the laws that are observed for some and less for others, can’t there be a law to check the quality of concerts? Is it possible for the legal authority of music in the country to sit and watch singers go on stage and take over people’s taste through fame or anything else and reduce our society’s understanding of music? The music office should not be upset with the funds and money that goes from the people’s pockets to the pockets of flash singers and concert organizers for the lowest quality performances in the music field, etc.?
Mafia and the story of money making
When Hamid Hami, a pop music singer, talked about the music mafia in his interviews a decade ago, many people laughed and did not accept his words. They were looking for traces of the mafia and there was no news, so they accused the supporter of being under the illusion of the mafia and constantly exaggerating something that does not exist externally or is less alive than these words. But it is the nature of the mafia to move slowly and creepily, then come to life and become a mafia that befits its title!
Now, everyone is talking about the same mafia, from Hossamuddin Siraj, who spoke in detail about the hidden hands that guide the world of music in an interview with Jam Jam, to Mohammad Motamedi, who talked about the king of concerts and those who control the music situation. Brought
What is more interesting is that it is said that a music site earns 50 million tomans a day from ticket sales. Now you multiply this 50 million by 30 days of the month. One billion and 500 million Tomans of income for selling concert tickets, that is, a pure, effortless and effortless income. Now, if the ticket seller is going to sit and think that the singer of a certain concert is failing or of poor quality, his 50 million tomans will not be covered! What does it have to do with him? Is this site in charge of music affairs and legislation? Somewhere else gives permission and the site also sells tickets.