The lead single from James Blake’s forthcoming album “Playing Robots Into Heaven” has been released.
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‘Playing Robots In Paradise’ is set for discharge on September 8 through Polydor/Republic. The collection will see Blake return to his electronic roots seen inside his prior works, like 2013’s ‘Congested’ and 2010’s ‘Klavierwerke’.
Blake likewise set its most memorable single ‘Enormous Sledge’ free from the LP. The accompanying video, directed by Oscar Hudson (Radiohead, Bonobo), is mostly shot from inside a car driven by a group of troublemakers in all-white tracksuits.
Later this year, Blake will also embark on a headline international tour that will include stops in the United Kingdom, Europe, and North America. The tour, which will begin on September 18 at the Fabrique in Milan and end on October 19, will see Blake return to his hometown of London for a show at Alexandra Palace.
Look at the event dates and the collection’s full track posting beneath.
The dates of James Blake’s 2023 tour are:
October 3: Atlanta, Georgia; Coca-Cola Roxy 5: Queens, New York; Knockdown Center 9: Boston; MGM Music Hall at Fenway 10: Montreal, Quebec; L’Olympia 12: Toronto; Rebel 14: Chicago; Aragon Ballroom 16: San Francisco; The Masonic Theater 19: Los Angeles; Hollywood Forever Cemetery The pre-deal will happen on Tuesday, July 4 and general deal will occur on July 7. Visit here for UK tickets and here for US tickets.
‘Playing Robots Into Paradise’ track list:
‘Requesting to Break’
‘He’s Been Great’
‘I Believe that You should Be aware’
‘Fire the Proofreader’
‘In the event that You Can Hear Me’
‘Playing Robots Into Paradise’
‘Playing Robots In Paradise’ follows Blake’s 2021 LP ‘Companions That Make You extremely upset’. In a five-star survey of the collection, NME composed: “‘ The surprise of “Friends That Break Your Heart” is astounding. After his blissful 2019 album “Assume Form,” Blake could have gone anywhere, and he did: the ‘Previously’ and ‘Covers’ EPs followed the previous winter, and the previous reconnected with Blake’s underlying foundations in dance music in a round trip second that addressed his solidarity as a weak lyricist and his expertise as a maker. ‘ Companions… ‘ takes the two sides further, involving the incapacitating misfortune of its title as the outline for additional disclosures.”